DEATH III REVIEWS
April 25, 2014
”Like all things which passes
within the universe,So shall
death.”
This dark prophecy, heard at
the beginning of Death’s ‘We
Are Only People’, holds
double meaning for the
Detroit rock band – which,
until 2009, toiled in obscurity
for more than 30 years. Aside
from the physical transition of
death itself, band member
David Hackney once declared
that the world would
eventually catch onto Death’s
music. ‘Death III’ is the last
of the group’s unreleased
masters, a dusty odds-and-
ends collection of songs from
the ‘70s, 1980 and 1992 that’s
full of drifting guitar melodies
and psychedelic funk. Death’s
first album, ‘…For The
Whole World To See’, was far
more aggressive; ‘Death III’
offers thoughtful perspective
on religion (‘Yes He’s
Coming’), finding inner peace
(‘Open Road’) and winter in
the Motor City (‘First
Snowfall In Detroit’).
READ MORE:
Clash.com
April 16, 2014
III is the third release in a series
of Death albums from Drag
City celebrating the trailblazing
band. The first, For The Whole
World To See, allowed their
1976 to see the light of day.
Then came Spiritual • Mental •
Physical, a collection of demos
and recordings made prior to
the 1974 United Sound
sessions.
READ MORE:
musicomh.com
May 1, 2014
Recorded in 1980 – opening cut
‘Introduction by David
Hackney’ turns on imagining
Chuck Berry rephrased
through the fractured
kaleidoscopic lens of a solo
Syd Barrett before falling
away with the onset of the
killer ‘North Street’ – a
staccato shocked bollock
dropping sassy bastard of a cut
gouged in the kind of cool
funked out street swagger of
Hendrix and smoked in a bliss
kissed smoking soul blues haze
while there’s an almost wasted
lysergic out there-ness spiked
amid the Pretty Things-ish
boogie running through the
grooves of the hiccupping stop
start ‘Open Road’. Both ‘First
snowball in Detroit’ and ‘We’re
Gonna Make It’ wrap up the set
in fine style, both pulled from
the final Death sessions in 1992
– they reveal a collective
mindset matured and blessed
with an intricately murmured
intimacy the former a reflective
sultry seafaring flotilla the
latter a deliciously airy prairie
tinged slice of breezily uplifting
kitschy homely folk blues. A
fitting tribute to a lost genius
and a group of brothers
reclaimed by rock.
READ MORE:
Godisinthetv.com
As buried treasures go, this is
one of the strangest. Three
black brothers from early 1970s
Detroit, Death were a heavy
rock band influenced by The
Who and Jimi Hendrix. Ignored
in their time, their songs, from
the spiritual wonderment of We
Are Only People to the stark,
riff-laced social commentary of
North Street, were too good to
remain unearthed for ever, and
after leader David Hackney’s
death in 2000 word began to
get out.
READ MORE:
Thetimes.com
April 4, 2014
Forgotten 70s proto-punkers
Death make a hell of a
comeback with Death III.
Mixing up some slow, spacey
cuts like ‘Free’ and ‘We Are
Only People’ with angry, post-
Velvets and Stooges tunes like
‘North Street’, this is the sound
of Bad Brains but a decade
early. There is some real
invention here - the
aforementioned ‘We Are Only
People’ is an eight-minute jam
which goes from the airiest of
introductions to a reggae-
tinged chug.
READ MORE:
Soundblab.com
April 15, 2014
Five years after the second life
of Death was started with the
release of their revelatory 1976
album, "For The Whole World
To See", "III" slams the door on
the vault with a powerful set of
songs that bring equal amounts
of rock and ethereal soul-
searching, in high-fidelity, rich
bottomed, studio-grade sound.
Alongside songs from 1975,
1976 and 1980, "III" contains
two songs from 1992, as the
Hackney brothers reconvened
nearly a decade after they'd
stopped playing together. The
album serves as a companion
piece of sorts to the "A Band
Called Death" documentary,
tracking the band's movement
from spiritual young rockers to
older and wiser, bruised-but-
undefeated brothers, in pure
musical terms.
READ MORE:
junorecords.com
February 11, 2014
Death will soon see new life.
On April 22, Drag City will
unleash Death III, a nine-track
album collecting songs pulled
from the proto-punks’ past.
The upcoming LP will be the
third such archival release from
Death, the ’70s Detroit trio
featuring brothers Bobby (bass,
vocals), David (guitar), and
Dannis (drums) Hackney. In
their original incarnation, Death
disbanded before putting out a
proper full-length. Then, in
2009, Drag City culled the
group’s early demos and tracks
to form the …For the Whole
World to See LP. That same
year, Death reunited with
guitarist Bobbie Duncan
standing in for David Hackney,
who died from lung cancer in
2000.
READ MORE:
Spin.com
April 22, 2014
The selling of Death as a proto-
punk band certainly helped the
long-lost group catch the
attention of modern listeners,
especially now that they’ve
reformed (minus their late
leader, guitarist David
Hackney). But with their third
archival release, Death III, it’s
become even clearer that Death
had much more than spit and
snarl up their sleeves. “North
Street” pulses and pounces, but
it does so fluidly—and with a
bluesy lasciviousness that’s
more Thin Lizzy than the
Stooges. That aggression
carries over into
“Restlessness”, a pummeling
confessional that melds the
homegrown chops of David,
bassist-vocalist Bobby
Hackney, and drummer Dannis
Hackney into a smoothly
pneumatic machine.
READ MORE:
Pitchfork.com
DEATH III REVIEWS
April 25, 2014
”Like all things which passes
within the universe,So shall
death.”
This dark prophecy, heard at
the beginning of Death’s ‘We
Are Only People’, holds
double meaning for the
Detroit rock band – which,
until 2009, toiled in obscurity
for more than 30 years. Aside
from the physical transition of
death itself, band member
David Hackney once declared
that the world would
eventually catch onto Death’s
music. ‘Death III’ is the last
of the group’s unreleased
masters, a dusty odds-and-
ends collection of songs from
the ‘70s, 1980 and 1992 that’s
full of drifting guitar melodies
and psychedelic funk. Death’s
first album, ‘…For The
Whole World To See’, was far
more aggressive; ‘Death III’
offers thoughtful perspective
on religion (‘Yes He’s
Coming’), finding inner peace
(‘Open Road’) and winter in
the Motor City (‘First
Snowfall In Detroit’).
READ MORE:
Clash.com
April 16, 2014
III is the third release in a series
of Death albums from Drag
City celebrating the trailblazing
band. The first, For The Whole
World To See, allowed their
1976 to see the light of day.
Then came Spiritual • Mental •
Physical, a collection of demos
and recordings made prior to
the 1974 United Sound
sessions.
READ MORE:
musicomh.com
May 1, 2014
Recorded in 1980 – opening cut
‘Introduction by David
Hackney’ turns on imagining
Chuck Berry rephrased
through the fractured
kaleidoscopic lens of a solo
Syd Barrett before falling
away with the onset of the
killer ‘North Street’ – a
staccato shocked bollock
dropping sassy bastard of a cut
gouged in the kind of cool
funked out street swagger of
Hendrix and smoked in a bliss
kissed smoking soul blues haze
while there’s an almost wasted
lysergic out there-ness spiked
amid the Pretty Things-ish
boogie running through the
grooves of the hiccupping stop
start ‘Open Road’. Both ‘First
snowball in Detroit’ and ‘We’re
Gonna Make It’ wrap up the set
in fine style, both pulled from
the final Death sessions in 1992
– they reveal a collective
mindset matured and blessed
with an intricately murmured
intimacy the former a reflective
sultry seafaring flotilla the
latter a deliciously airy prairie
tinged slice of breezily uplifting
kitschy homely folk blues. A
fitting tribute to a lost genius
and a group of brothers
reclaimed by rock.
READ MORE:
Godisinthetv.com
As buried treasures go, this is
one of the strangest. Three
black brothers from early 1970s
Detroit, Death were a heavy
rock band influenced by The
Who and Jimi Hendrix. Ignored
in their time, their songs, from
the spiritual wonderment of We
Are Only People to the stark,
riff-laced social commentary of
North Street, were too good to
remain unearthed for ever, and
after leader David Hackney’s
death in 2000 word began to
get out.
READ MORE:
Thetimes.com
April 4, 2014
Forgotten 70s proto-punkers
Death make a hell of a
comeback with Death III.
Mixing up some slow, spacey
cuts like ‘Free’ and ‘We Are
Only People’ with angry, post-
Velvets and Stooges tunes like
‘North Street’, this is the sound
of Bad Brains but a decade
early. There is some real
invention here - the
aforementioned ‘We Are Only
People’ is an eight-minute jam
which goes from the airiest of
introductions to a reggae-
tinged chug.
READ MORE:
Soundblab.com
April 15, 2014
Five years after the second life
of Death was started with the
release of their revelatory 1976
album, "For The Whole World
To See", "III" slams the door on
the vault with a powerful set of
songs that bring equal amounts
of rock and ethereal soul-
searching, in high-fidelity, rich
bottomed, studio-grade sound.
Alongside songs from 1975,
1976 and 1980, "III" contains
two songs from 1992, as the
Hackney brothers reconvened
nearly a decade after they'd
stopped playing together. The
album serves as a companion
piece of sorts to the "A Band
Called Death" documentary,
tracking the band's movement
from spiritual young rockers to
older and wiser, bruised-but-
undefeated brothers, in pure
musical terms.
READ MORE:
junorecords.com
February 11, 2014
Death will soon see new life.
On April 22, Drag City will
unleash Death III, a nine-track
album collecting songs pulled
from the proto-punks’ past.
The upcoming LP will be the
third such archival release from
Death, the ’70s Detroit trio
featuring brothers Bobby (bass,
vocals), David (guitar), and
Dannis (drums) Hackney. In
their original incarnation, Death
disbanded before putting out a
proper full-length. Then, in
2009, Drag City culled the
group’s early demos and tracks
to form the …For the Whole
World to See LP. That same
year, Death reunited with
guitarist Bobbie Duncan
standing in for David Hackney,
who died from lung cancer in
2000.
READ MORE:
Spin.com
April 22, 2014
The selling of Death as a proto-
punk band certainly helped the
long-lost group catch the
attention of modern listeners,
especially now that they’ve
reformed (minus their late
leader, guitarist David
Hackney). But with their third
archival release, Death III, it’s
become even clearer that Death
had much more than spit and
snarl up their sleeves. “North
Street” pulses and pounces, but
it does so fluidly—and with a
bluesy lasciviousness that’s
more Thin Lizzy than the
Stooges. That aggression
carries over into
“Restlessness”, a pummeling
confessional that melds the
homegrown chops of David,
bassist-vocalist Bobby
Hackney, and drummer Dannis
Hackney into a smoothly
pneumatic machine.
READ MORE:
Pitchfork.com